Inspired by 90’s subcultures and the visual language of body adornment, the Pierced Cosmic Flower Chair blurs the boundary between jewelry and furniture. It embodies a bold convergence of futuristic design and industrial craftsmanship. Five deliberate piercings on each side punctuate its form, where structure becomes expression, lending the piece an avant-garde, almost otherworldly presence.

The chair is composed of two separate elements, designed to be assembled by securing the backrest to the base.

Astrakhan wool carries memory in its density. Reclaimed from vintage pieces, it resists replication. It can only be found, then reimagined. We preserve its essence, giving it a second life within small furniture pieces, where past and present quietly coexist.

Collect, reduce, transform.

Astrakhan wool carries memory in its density. Reclaimed from vintage pieces, it cannot be reproduced. Each surface is found before it is reimagined, its past kept intact and given a second life as a low table, where present and past quietly coexist.

Collect, reduce, transform.

A modular stainless steel system defined by material contrast, where the softness of the wool meets the precision of the profile. This contrast enforces a balance between solid and void, turning the library into a composed, decorative structure.

Built from aluminium profiles and patterned glass reclaimed from old buildings, the sideboard is assembled from a material once found in interior doors across Eastern Europe. Its floral relief was pressed into the surface decades ago. Removed from that context, the glass keeps its ornament and its history, and becomes the surface of a contemporary object.

Assembled from chandelier shades recovered from apartments built under the communist regime, the lamp gathers scattered fragments into a single vertical form. What once hung dispersed across a ceiling is collected and stacked, its original ornament held in a new order.